tag:blogger.com,1999:blog-7761812458465745725.post7160874429493842884..comments2024-01-31T20:40:15.831-08:00Comments on Doctor My Script: Screenwriting Mistake #14: Goal not primal enoughPhil Dyerhttp://www.blogger.com/profile/17263709291430900054noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7761812458465745725.post-38488098875603748602017-09-26T09:24:21.697-07:002017-09-26T09:24:21.697-07:00man i want to write script like this man i want to write script like this <a href="http://www.lahoredesignstudio.com/">Lahore Design Studio</a>https://www.blogger.com/profile/15893148692708834371noreply@blogger.comtag:blogger.com,1999:blog-7761812458465745725.post-21423363797781113282016-04-27T17:04:52.559-07:002016-04-27T17:04:52.559-07:00Phil, just discovered your site today and I'm ...Phil, just discovered your site today and I'm eating it up. Hoping you're still actively checking comments! I know this posts are a little old.<br /><br />I'll allegorize my story to try to simplify my question about a primal goal: Let's say my hero is desperate to find a magical flower to save the world (seems primal enough), but he's unknowingly transported to a continent where that flower doesn't grow. Certainly new dangers abound that threaten his life, but he won't have a hope in hell of finding the flower until Act3 - even though he keeps trying.<br /><br />Would you say a story structure this way is fundamentally flawed or could you get behind a primal goal that the audience knows can't be met? (At least not "right now."<br /><br />Hello Kellyhttps://www.blogger.com/profile/08265405145847381428noreply@blogger.com